Adding to the Noise?


Marcel Duchamp, Hat Rack (1917)

Marshall McLuhan said that the medium is the message. Marcel Duchamp said that the artist of the future will simply point. And Mark Zuckerberg believes he has given humanity “the power to share”.

Like so many others, I feel a compulsion to produce something, to express myself, and to advance a particular point of view. But I also experience a recurrent feeling that the effort is futile and potentially even counterproductive. As if everyone is shouting and my foolish but perhaps natural response is to attempt to shout even louder than the crowd. Nothing can possibly be heard and so, in truth, I’m merely adding to the noise.

I can generate what is now commonly called “content”—able to produce fodder for a format—and can then, in one way or another, place it into the world. I can make paper copies and stash them into the hidden letter boxes that are to be found in abandoned stone walls or I can stuff them into glass bottles and hurl them into the sea. But more likely, I will deposit whatever I produce into the digital marketplace of ideas where ideas aren’t ideas but are simply content filling a space. At this point, it’s likely that my every move has been anticipated and my purposes already circumvented; my efforts may be effectively channeled to serve purposes that are not my own. By contributing content to the digital realm I am propping up what I wish to tear down and yet throwing a bottle into the sea doesn’t seem promising.

It feels as though nothing can be incisive enough to overcome this medium; to aspire to transcend the medium and think that one can rise above its constraints may simply be a case of wishful thinking. To “fight fire with fire” is an interesting locution but in the real world water has consistently proven to be more effective.

Alternatively, I may not produce or generate anything but instead simply point toward, which is to say post, something similar enough to what I want to say. Such pointing is simply another attempt to amplify a signal, to make something louder, more visible, and to push it onto the screens of more people. Again, adding to the noise which is deafening the very people I am hoping will somehow find a way to listen. How can this succeed?

It doesn’t matter how insightful or well-crafted something is if there isn’t the space for it to be understood, considered, or comprehended. During the writing process one might focus on clarity and precision which are qualitative considerations; but once put into the digital realm it is almost exclusively quantitative considerations that remain relevant. What we want is for our content to be loud enough to silence everyone else; to command space. If not the smartest voice perhaps we can be the loudest voice.

But are things really this grim?

Even in the noisiest of spaces we are generally able to make out coherent bits and pieces. Civilization is a homogenizing, totalizing force but it is not yet fully realized, not yet perfect. There remain cracks. There remains space for learning, dialogue, and ultimately resistance. One need only consult his or her own experience and will likely recall numerous times when something significant reached one’s eyes or ears in a most timely way prompting a change in direction.

In 1964 anarchist and art critic Herbert Read lamented that “the fall of the last civilization will not be heard above the incessant din”. This lament of a past anarchist can be a source of hope for contemporary anarchists who do not see civilization as something to be preserved or mourned but rather thrown off. Despite the incessant din, which sounds so much like the machine humming away, we would be wise to remember that “[c]ivilization is not about to collapse, it is collapse.” We should not expect to individually steer the direction of mass society in any direction as though we were generals on a battlefield; instead we should imagine ourselves as mice and rats chewing at the wires…soon there will be flames.